New English Translation
Song of Songs 1:4-7
41Draw me after you; let us hurry! May the kingbring me into his bedroom chambers! We will rejoice and delight in you; we will praise your love more than wine. The Beloved to Her Lover: How rightlythe young women adore you!
5I am dark but lovely, O maidens of Jerusalem, dark like the tents of Qedar, lovely like the tent curtains of Salmah.
6Do not stare at me because I am dark, for the sun has burned my skin. My brothers were angry with me; they made me the keeper of the vineyards. Alas, my own vineyard I could not keep!
7Tell me, O you whom my heart loves, where do you pasture your sheep? Where do you rest your sheep during the midday heat? Tell me lest I wander around beside the flocks of your companions!
Notes
- 1. Song of Songs 1:4 Normally in the Song, the person/gender of the pronouns and suffixes makes the identify of the speaker or addressee clear. However, there are several places in which there is grammatical ambiguity that makes it difficult to identify either the speaker or the addressee (e.g., 6:11-13; 7:9b). This is particularly true when 1st person common plural or 3rd person common plural verbs or suffixes are present (1:3[4]; 2:15; 5:1b; 8:8-9), as is the case in the three lines of 1:3b[4b]. There are four views to the identity of the speaker(s): (1) NASB attributes all three lines to the maidens, (2) NIV attributes the first two lines to the friends and the third line to the Beloved (= woman), (3) NJPS attributes all three lines to the Beloved, speaking throughout 1:2-4, and (4) The first line could be attributed to the young man speaking to his beloved, and the last two lines attributed to the Beloved who returns praise to him. The referents of the 1st person common plural cohortatives and the 2sg suffixes have been taken as: (1) the maidens of Jerusalem, mentioned in 1:4[5] and possibly referred to as the 3rd person common plural subject of אֲהֵבוּךָ (’ahevukha, “they love you”) in 1:3b[4b], using the 1st person common plural cohortatives in reference to themselves as they address her lover: “We (= maidens) will rejoice in you (= the young man).” (2) The Beloved using 1st person common plural cohortatives in a hortatory sense as she addresses her lover: “Let us (= the couple) rejoice in you (= the young man), let us praise your lovemaking…” (3) The Beloved using the 1st person common plural cohortatives in reference to herself – there are examples in ancient Near Eastern love literature of the bride using 1st person common plural forms in reference to herself (S. N. Kramer, The Sacred Marriage Rite, 92, 99) – as she addresses the young man: “We (= I) will rejoice in you (= the young man).” Note: This problem is compounded by the ambiguity of the gender on בָּךְ (bakh, “in you”) which appears to be 2nd person feminine singular but may be 2nd person masculine singular in pause (see note below). ↩
Commentaries on Song of Songs 1
- Adam Clarke Bible Commentary
- Matthew Henry Concise Commentary
- Tyndale Open Study Notes
- Jamieson–Fausset–Brown Commentary
- Rashi on Tanakh
- Keil & Delitzsch Commentary
- John Wesley’s Notes
- Darby Translation Notes
- Geneva Bible Translation Notes
- Kingcomments
- Luther’s Commentary on Selected Bible Passages
- Matthew Henry’s Complete Commentary
- Matthew Henry’s Modern English Commentary
- Scofield Reference Notes, 1917 Edition
- Seventh-day Adventist Bible Commentary
New English Translation — © 1996-2016 Biblical Studies Press, L.L.C.
Commentaries